Beautiful Nubia accuses Yinka Ayefele and BBO of copying his song melody in Nigeria sparking heated debate among gospel music fans

The Nigerian gospel scene is abuzz after Beautiful Nubia publicly accused fellow artistes Yinka Ayefele and BBO of copying the melody of one of his songs.

Posting on Instagram on Thursday, Beautiful Nubia claimed the melodies of Ayefele’s 2012 track My Faith in God (Igbagbo Ireti) and BBO’s 2026 single Amin bear striking resemblance to his original song Seven Lifes.

In his statement, he lamented what he sees as a troubling pattern among Nigerian gospel musicians who fail to acknowledge the creative works of others.

“When will Nigerians, especially the so-called gospel musicians, learn to respect copyright?” he asked, highlighting both past and recent incidents of alleged appropriation.

Allegations Span Over a Decade

The controversy spans more than a decade.

Beautiful Nubia specifically cited Ayefele’s 2012 release and BBO’s 2026 track as examples of alleged intellectual property infringement.

According to him, the melodies of these songs are nearly identical to Seven Lifes, which he describes as his original composition.

Neither Ayefele nor BBO have issued public statements or responses addressing the accusations as of this report.

Fans and observers are closely watching for any clarification or rebuttal from the gospel icons.

Beautiful Nubia’s Legacy and Advocacy

Beautiful Nubia has long been celebrated for his socially conscious lyrics and unique blending of folk rhythms with spiritual themes.

He has consistently advocated for creativity, originality, and respect for intellectual property in Nigeria’s entertainment industry, often emphasizing that proper credit and legal protection are essential for sustaining the arts.

His outspokenness comes at a time when Nigerian musicians increasingly grapple with copyright disputes, melody similarities, and allegations of unauthorized sampling.

Many artists and industry stakeholders have encouraged formal registration of works and prompt legal action to prevent exploitation.

Copyright Challenges in Nigerian Music

The Nigerian music scene has a history of copyright conflicts.

From alleged song appropriation to disputes over sampling and arrangement rights, artists often find themselves navigating murky waters.

Legal experts advise that formal copyright registration, clear contracts, and public acknowledgment of original creators are crucial safeguards against infringement.

Despite these legal frameworks, enforcement remains a challenge, particularly when high-profile artistes are involved.

Social media platforms, however, have become key spaces for raising awareness and sparking public debate about creative ownership.

What’s Next?

Industry watchers are now awaiting responses from Yinka Ayefele and BBO.

Whether they issue denials, clarifications, or choose legal channels to address the claims could shape public perception and set precedent in Nigeria’s gospel music community.

Meanwhile, this controversy could reignite conversations about copyright education among emerging Nigerian gospel musicians and reinforce the importance of respecting fellow creatives’ intellectual property.

Music fans and fellow artistes alike are likely to monitor developments closely as the story unfolds.

Summary

Beautiful Nubia has accused Nigerian gospel artistes Yinka Ayefele and BBO of allegedly copying the melody of his song Seven Lifes.

He highlighted similarities in Ayefele’s 2012 track My Faith in God (Igbagbo Ireti) and BBO’s 2026 single Amin, urging the gospel music community to respect copyright.

As of now, neither Ayefele nor BBO have responded.

The incident underscores ongoing copyright challenges in Nigeria’s music industry and raises questions about how artistes protect their creative works.