Spotlight on Northern Ireland: Artists Set to Impress at Edinburgh Festival Fringe

Spotlight on Northern Ireland: Artists Set to Impress at Edinburgh Festival Fringe

…By Henry George for TDPel Media.

Several captivating works by Northern Ireland arts organizations are set to captivate audiences at the renowned Edinburgh Festival Fringe in August.


Through the “Spotlight on Theatre and Dance from Northern Ireland” initiative, artists from the region are given a platform to showcase their creations.

This collaborative project, now in its fifth year, is organized by Theatre and Dance NI in partnership with the Belfast International Arts Festival.

Support is provided by the British Council Northern Ireland and the Arts Council of Northern Ireland.


Opportunities for International Exposure:

The Edinburgh Festival Fringe, recognized as the largest arts marketplace worldwide, offers Northern Ireland performers a valuable opportunity to connect and network with fellow artists, potentially leading to international tours of their work.

This exposure at the Fringe enables performers to raise their profiles and explore global opportunities.

Featured Productions:

On August 22, the spotlight will shine on several productions by Northern Ireland artists.

These include “The Half Moon” by Alice Malseed, “Scaredy Fat” by Gina Donnelly and Seon Simpson, “Lie Low” by Ciara Elizabeth Smyth, “Whisk(e)y Wars” by Joyce Greenaway, “The Four Worst Things I’ve Ever Done” by Ewan McGowan-Gregg, “How to Bury a Dead Mule” by Richard Clements, and “Expecting” by Charis McRoberts.

Support and Fellowships:

Niamh Flanagan, the executive director of Theatre and Dance NI, emphasizes the significance of this initiative for the seven Northern Ireland artists performing at the Fringe, as it elevates their profiles and opens doors to future opportunities on a global scale.


The organizers are also thrilled to announce bursaries as part of a fellowship program, enabling artists, directors, and producers to attend the Edinburgh Fringe Festival.

This provides them with a platform to promote their work for potential future performances both at the festival and internationally.

Benefits of International Exposure:

Richard Wakely, the artistic director and chief executive of the Belfast International Arts Festival, recognizes the value of international exposure for Northern Ireland’s performance artists and ensembles at the Edinburgh Fringe.

Such exposure extends the lifespan of new stage and digital works, enhances media and public recognition, fosters artistic growth, and creates possibilities for future collaborations with international partners.

Enriching the Market and Audience Experience:

Alison McCrudden, the head of literature, drama, and dance at the Arts Council of Northern Ireland, acknowledges the creativity, perseverance, and forward-thinking approach of Northern Ireland artists in producing such high-quality and resonant works.


It is crucial for these significant works to be seen and appreciated by audiences, and the Edinburgh Fringe Festival presents an exciting opportunity to access a vast potential market.

Showcasing the Best of Northern Ireland:

Colette Norwood, the British Council Northern Ireland arts manager, expresses enthusiasm for the event, highlighting that it will showcase some of the most exciting current and upcoming productions available for touring from Northern Ireland.

This platform not only celebrates the talents of Northern Ireland artists but also serves as a gateway to expand their reach and impact on a global stage.

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