If you enjoy Tim Burton’s films “Edward Scissorhands,” “Charlie and the Chocolate Factory,” or “Alice in Wonderland,” you won’t want to miss a spectacular exhibition now on display in Seoul.
“The World of Tim Burton” follows in the footsteps of the legendary American director, showcasing more than 520 of Burton’s one-of-a-kind works in a variety of media, including paintings, sketches, and photographs. Seoul is the first stop in the retrospective’s worldwide tour.
It is Burton’s second time holding an exhibition in Korea, following a similar display held at the Seoul Museum of Art. The director chose Dongdaemun Design Plaza this time as the venue because he is a fan of Zaha Hadid, the British Iraqi architect who designed the building.
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Installation view of “The World of Tim Burton” at Dongdaemun Design Plaza in central Seoul (GNC Media)
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“The World of Tim Burton” runs through Sept. 12 and is open from 10 a.m. to 8 p.m. daily with the last entry at 7 p.m. Tickets are 20,000 won for adults and 15,000 won and 13,000 won for teenagers and children, respectively. Tickets can be reserved via local e-commerce platforms Naver Booking and Interpark.
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“Hommage” (June Film)
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If you would like to take a peek at the working environment of female directors past and present, visit a local cinema this weekend to watch “Hommage,” directed by Shin Su-won.
With shoulder-length hair and iconic square glasses, it seems quite obvious that the protagonist of the new film “Hommage” represents director Shin, who is best known for winning the Canal+ Prize for Best Short Film at the 2012 Cannes Film Festival with her “Circle Line.”
“Hommage” begins by introducing director Ji-wan (played by “Parasite” star Lee Jung-eun), who is in a slump. Ji-wan aims to entice 200,000 patrons to her new film, but finds it difficult to reach her goal.
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“Hommage” (June Film)
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One day Ji-wan gets a part-time job restoring an old film about the first female judge created by first-generation female director Hong Eun-won.
However, there are parts missing from Hong’s old film. Ji-wan then decides to go on a journey to search for the missing portions, and through this process, her passion for filmmaking is renewed.
Aside from the realistic and detailed storyline, “Hommage” is also special because Lee acts in her first lead role in the feature film. Lee has created a convincing mother and female director character without exaggeration.
Another factor that differentiates this movie is how it includes time-traveling elements using cinema to effectively connect the lives of female directors living in 2022 and 1962.
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“Hangari” series by Annaliisa Alastalo (Yeol Korean Heritage Preservation Society)
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The beauty of craftsmanship inspired by Korea’s traditional elements is shown at Yeol Bukchonga in Insa-dong, Seoul, where eight artisans who use different materials — glass, ceramics, wood, metal and textiles — present their own unique craftworks to reflect the beauty of Korean culture.
“The Line the Color,” running through July 8, is organized by the Yeol Korean Heritage Preservation Society, a private organization dedicated to promoting Korean cultural heritage.
The craftworks on display include Lee Si-san’s furniture made of metal and rocks, Chung Su-kyung’s glass craftworks and hemp fabric craftworks by Choi Hee-ju. Also on view are Finnish artist Annaliisa Alastalo’s glassworks inspired by traditional Korean porcelain, Kim Min-wook’s wooden crafts and Park Joo-hyung’s lacquered craftworks.
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“Confluence” by Park Joo-hyung (Yeol Korean Heritage Preservation Society)
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