Catherine Tyldesley has spoken candidly about what she finds most frightening as a parent, revealing how real-life concerns intersect with her work on Coronation Street. The 42-year-old actress, who returned to the soap last month as Eva Price, admitted that a storyline involving her on-screen step-son being groomed has struck a particularly personal chord.  On-Screen Storyline Hits Close to Home  Eva’s step-son Will, 16, is being secretly groomed by a female sports coach, a plotline that has made Catherine reflect on her own parenting. She told Fabulous magazine: “It has cut deep for all of us, especially with having children. It’s terrifying… it happens a lot. That’s why I will be letting Alfie watch it, because we’ve got to help protect kids.”  Parenting in the Digital Age  Catherine, who shares 10-year-old Alfie and three-year-old Iris with husband Tom Pitfield, spoke about the challenges of modern parenting. Concerned about online dangers and the influence of technology, she referenced shows like Adolescence and Channel 4’s Swiped: The School That Banned Smartphones to illustrate the risks of misogyny, online radicalization, and excessive screen time. She explained how she limits Alfie’s phone use: “Alfie has a mobile phone, but it has a tracking device on it and all he can do is make calls. He’s not allowed on social media and doesn’t have the phone when he is on his own.”  Using Soap Storylines as Teaching Tools  Tyldesley sees the grooming storyline as more than just drama—it’s a way to educate young viewers and their parents. “I do think Will’s grooming will massively highlight what’s going on, and a lot of young people watch the show,” she said, emphasizing the importance of confronting difficult issues through mainstream media.  Speaking Out on Body Image  Beyond online safety, Catherine also addressed another key soap issue: weight-loss treatments. Reflecting on Bethany Platt’s storyline, she admitted that in her younger years she felt immense pressure to look a certain way and would crash-diet. Now, as a mother, she focuses on setting a healthy example for her children: “I’ve got to let Iris see that food helps. I really try to educate her and Alfie on food, and that in any walk of life, you’re not going to be able to function properly without it.”  The Return of Eva Price  Catherine’s return to Coronation Street marks a homecoming after seven years away. Eva’s character has a storied history on the cobbles, including a complicated relationship with Aidan Connor, a faked pregnancy, and raising baby Susie. Since leaving the show in 2018, Catherine has appeared in other projects, such as the sitcom Scarborough and Bonnie & Clyde: The Musical, as well as starring alongside Shayne Ward in The Good Ship Murder.  Catherine Reflects on Returning to Corrie  Although she had left the soap behind, Catherine has never closed the door on a full return. “Coronation Street feels like forever ago, but I always look back with such great fondness,” she said. “If they approached me with an amazing storyline and the time was right, of course, I’d go back. So it’s always a case of never say never.”  Balancing Career and Family  Through candid interviews, Catherine has shown that parenting, career, and personal growth are deeply intertwined. From tackling tough issues on-screen to guiding her children in the real world, she continues to use her platform to address critical conversations around safety, self-image, and family responsibility.  Using Storytelling for Awareness  Whether it’s highlighting the dangers of online grooming or the pressures of body image, Catherine Tyldesley demonstrates how storytelling can educate, provoke discussion, and resonate with audiences, all while navigating her own life as a mother of two.  Looking Ahead  With Eva back on the cobbles and Catherine juggling multiple projects and parenting responsibilities, it’s clear that the actress is embracing both challenges and opportunities. Fans of Coronation Street can expect Eva to be at the heart of compelling storylines, while Catherine continues to speak openly about the realities of modern parenthood.

Catherine Tyldesley has spoken candidly about what she finds most frightening as a parent, revealing how real-life concerns intersect with her work on Coronation Street. The 42-year-old actress, who returned to the soap last month as Eva Price, admitted that a storyline involving her on-screen step-son being groomed has struck a particularly personal chord. On-Screen Storyline Hits Close to Home Eva’s step-son Will, 16, is being secretly groomed by a female sports coach, a plotline that has made Catherine reflect on her own parenting. She told Fabulous magazine: “It has cut deep for all of us, especially with having children. It’s terrifying… it happens a lot. That’s why I will be letting Alfie watch it, because we’ve got to help protect kids.” Parenting in the Digital Age Catherine, who shares 10-year-old Alfie and three-year-old Iris with husband Tom Pitfield, spoke about the challenges of modern parenting. Concerned about online dangers and the influence of technology, she referenced shows like Adolescence and Channel 4’s Swiped: The School That Banned Smartphones to illustrate the risks of misogyny, online radicalization, and excessive screen time. She explained how she limits Alfie’s phone use: “Alfie has a mobile phone, but it has a tracking device on it and all he can do is make calls. He’s not allowed on social media and doesn’t have the phone when he is on his own.” Using Soap Storylines as Teaching Tools Tyldesley sees the grooming storyline as more than just drama—it’s a way to educate young viewers and their parents. “I do think Will’s grooming will massively highlight what’s going on, and a lot of young people watch the show,” she said, emphasizing the importance of confronting difficult issues through mainstream media. Speaking Out on Body Image Beyond online safety, Catherine also addressed another key soap issue: weight-loss treatments. Reflecting on Bethany Platt’s storyline, she admitted that in her younger years she felt immense pressure to look a certain way and would crash-diet. Now, as a mother, she focuses on setting a healthy example for her children: “I’ve got to let Iris see that food helps. I really try to educate her and Alfie on food, and that in any walk of life, you’re not going to be able to function properly without it.” The Return of Eva Price Catherine’s return to Coronation Street marks a homecoming after seven years away. Eva’s character has a storied history on the cobbles, including a complicated relationship with Aidan Connor, a faked pregnancy, and raising baby Susie. Since leaving the show in 2018, Catherine has appeared in other projects, such as the sitcom Scarborough and Bonnie & Clyde: The Musical, as well as starring alongside Shayne Ward in The Good Ship Murder. Catherine Reflects on Returning to Corrie Although she had left the soap behind, Catherine has never closed the door on a full return. “Coronation Street feels like forever ago, but I always look back with such great fondness,” she said. “If they approached me with an amazing storyline and the time was right, of course, I’d go back. So it’s always a case of never say never.” Balancing Career and Family Through candid interviews, Catherine has shown that parenting, career, and personal growth are deeply intertwined. From tackling tough issues on-screen to guiding her children in the real world, she continues to use her platform to address critical conversations around safety, self-image, and family responsibility. Using Storytelling for Awareness Whether it’s highlighting the dangers of online grooming or the pressures of body image, Catherine Tyldesley demonstrates how storytelling can educate, provoke discussion, and resonate with audiences, all while navigating her own life as a mother of two. Looking Ahead With Eva back on the cobbles and Catherine juggling multiple projects and parenting responsibilities, it’s clear that the actress is embracing both challenges and opportunities. Fans of Coronation Street can expect Eva to be at the heart of compelling storylines, while Catherine continues to speak openly about the realities of modern parenthood.

Catherine Tate’s festive pantomime at London’s Palladium has sparked a wave of complaints from disappointed theatre-goers, with some describing the show as little more than a “smutfest.”

Fans, who paid anywhere from £35 to a whopping £220 for tickets, say the production failed to deliver the family-friendly experience they were expecting.

Crude Humor Overshadows Story

Set to entertain audiences at 2.30pm and 7.30pm, the show stars Tate as the villainous Carabosse, alongside Julian Clary and Coronation Street actor Nigel Havers.

Despite its star-studded cast, many viewers found the panto lacking in plot, wit, and talent.

A warning on the theatre’s website now advises parental discretion due to the show’s innuendo.

“Couldn’t bring myself to clap. An adult show without children in mind,” one attendee wrote. “A grim, lazy tirade of innuendos.

I was ashamed that I had taken my young children.”

Fans Take to Social Media to Vent

Disgruntled theatregoers didn’t hold back online.

On TripAdvisor, one reviewer lamented that even Julian Clary seemed “a shadow of his zany panto self.”

Others complained that Catherine Tate’s performance was dull, and that jokes felt recycled and tired.

“Another dreadful ‘panto’ this year,” one fan fumed. “The more money they make, the worse it gets.”

A recurring theme was frustration at the lack of story.

“It’s embarrassing how much money is spent on so little story, talent, and innuendo,” wrote one viewer.

“The audience reaction this week was clearly muted, and no standing ovation at the end.”

Some Fans Still Enjoyed the Show

Not everyone left the theatre disappointed.

Some visitors praised the Palladium itself, noting the excellent views, helpful staff, and general atmosphere of the venue.

“Went to watch Sleeping Beauty panto, absolutely brilliant,” one reviewer wrote.

“Lovely theatre and staff were great.”

Another fan highlighted the fun of the panto experience itself, describing it as “a great place, even in the cheap seats, with a festive atmosphere and friendly staff.”

Ticket Prices and Run Dates

Tickets for the production range from £35 to £220, making it one of the more expensive pantos in London.

Sleeping Beauty continues to run through December, with the final performance set for January 11.

The Daily Mail has reached out to Catherine Tate and the London Palladium for comment on the backlash.

The Debate Continues

This year’s panto has reignited questions about whether high-priced productions should lean so heavily on adult humor.

For families who’ve long considered it a festive tradition, the criticism suggests expectations and reality don’t always match — and some may think twice before booking again next year.

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